Lost Media Archive

Host of Springville's almost weekly ISMN - "Incredibly Strange Movie Night" since 2003. (Previously known as "Tapioca Night" circa 1993 in Ogden, UT). "ISMN" also takes place every last Tuesday at Brewvies Cinema and Pub in Salt Lake City.

FALL 2012 WAS OUR 10th ANNIVERSARY!!!

We are also founder of the world's first Troll 2 cast reunion (which they didn't want to mention in the documentary for some reason, making it look like it started in New York. I guess karma will catch up with them).

Currently we are showcasing Avant Garde, Experimental and Art Films for each letter of the alphabet. This is in response to those who have given us the stereo type of only showing "low budget bad movie trash" not worth their time. So in response we say, "You want high art? It can be just as bizarre, sometimes even more so, and even just as low budget."

No repeat films from the past allowed! (...unless it's a screening at Brewvies.)

LMA is a Utah-based collection of mondo/ kitsch/ cult/ ephemeral/ experimental/ historical/ obsolete/ forgotten/ unearthed audio-visual and textual documents. LMA is also a resource for those who cling to bygone media formats. The LMA was founded by Blair Sterrett and works together with loaf-i productions, the Free Form Film Festival and Salt Lake City Film Festival to arrange screenings, viewings, and concerts. The LMA also promotes and initiates the creation of new and unusual films, albums, performative projects, and book events. We accept donations of any and all projection, recording, and filming devices. When possible, we maintain these machines for use by recordists and filmmakers. (We now curate over 35,000 films.)

For more info, donations or to join the weekly email list, please contact B.C. Sterrett at bcsterrett@gmail.com. Thank you.

ISMN: “Gimme Stage 2013” - Tuesday April 30th, 10 PM @ Brewvies in SLC

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DVD/101 Mins/English/Unrated

If you haven’t heard James McAllister and I have re-vamped our old found footage compilation “Gimme Stage” for 2013!  We just finished the editing tonight and I think it’s pretty fantastic :)

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“Gimme Stage” is our tribute to the human need to perform, no matter how strange or outsider the performance may be.

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(Above: Underground Music God -  R. Stevie Moore and friend singing in a made up language to Raymond Scott’s “The Playful Drummer” from “Soothing Sounds for Baby”)

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Footage has been gathered from the Lost Media Archive gargantuan VHS collection to bring you curious, inventive and smelly gems from:
Home videos
Documented Performance Art
Public Access Television
Thrift Store Videos
Old VHS Trade Circles
as well as the odd donations and submissions we have received over the years for LMA and the Free Form Film Festival.

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If you saw our original “Gimme Stage” compilation back in 2007 or so, know that we have dusted it off and that this version now contains over an hour of new footage!!!

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(Above: Footage of our dear close friend “Wild Man Fischer” performing on late night TV (his 2nd to last public performance - R.I.P.)

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You shall be amazered!

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Time: 10 PM Sharp!  (Get there 15 Mins early for the best seats)

Place: Brewvies Cinema and Pub in SLC

Price: FREE!!!  - 21 and Over Only

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We have several Lost Media film (Frankenstein’s Planet of Monsters) and book (LMA Vinyl) preservation projects in the works so we will have stuff available at our merch table to help fund these archeological endeavors.  One of them available only at this event is a highest quality DVD collection of “Stairway to Stardom” Vol.1 - taken from an one of the earliest VHS copies during the video trading days before youtube:

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(Above: Our complete Stairway to Stardom Vol. 1 DVD - only available at this event)

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Miss out on this one time event and you’ll be hurting for years to come!

ISMN: Daisies (1966) - Thursday March 14th 7:30 PM @ Art City Mansion

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DVD/Czech with Subtitles/Multicolored/74 Mins/Unrated

Yes, I know I’ve shown this film before many years ago @ Out/Ex.  But never officially at ISMN, so I don’t feel that I’m breaking the “no repeats” rule.

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My old review of Daisies seems to be lost forever.  All of my old years of “pre-tumblr” film reviews were lost when my account was hi-jacked.

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So, instead I’m giving you some fave reviews from IMDB:

Nothing Comes Close

11 June 2008 | by Joseph Sylvers (United States) – See all my reviews

One of the most vibrant and fun art house films you are ever likely to see. Vera Chytilova was merging feminism, nihilism, psychedelic color filters, collage aesthetic, and silent film slapstick into a one of a kind film about two young girls named Marie who decide to self destruct, and be just as wicked as the world. They con men into buying them lunch and ditch them at train stations, get drunk in posh nightclubs, set their beds on fire, and lay siege to whole banquets(this latter bit got the film and the director into a lot of trouble with the Soviet Czech government for “wasting food”). Anyway this is an energetic and vibrant film as you’re likely to find anywhere, and unlike so many great euro art films, this is as fun to watch as it is think about afterwords. I’ve shown this movie to a lot of people and I’ve never had a complaint, it clocks in at just over an hour, so if you’ve got the time, go for it. It’s a one of kind experience(in fact the worst part of this movie is the cover).

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(I have only received one complaint from this film.  But it was from a guy who only showed up at the last screening to flirt with Secretary Dottie.  She wasn’t there.  So instead he subjected to a very non-linear Czech experimental art film, while waiting for her to show.  I could tell by the end, that this film was too much for him to handle.  I often find that people coming to ISMN for the first time, not knowing what they’re in for, have a hard time swallowing what is presented. - BC Sterrett)

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(Excerpts from) A rare female voice from the Czech New Wave., 28 May 2001
9/10
Author: Alice Liddel (-darragh@excite.com) from dublin, ireland

‘Daisies’ was a product of the Czech New Wave, but seems a million miles away from its most famous contemporaries, …

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The plot basically consists of the girls trying to chat up old men who’ll feed them, but what they really do is make a nonsense of plot.

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The film mixes monochrome, colour, and unstably tinted scenes. Sequences that begin ‘sensibly’ are broken down, by slapstick, changes of register, ‘impossible’ changes of location or physics, or are turned from natural scenes into the robotic movements of a clockwork toy going out of control. This disruption has a theoretical point - in one scene, the girls find their bodies cut up as they find their identities dissolved by conflicting desires, social expectations and representations. In another, they wander around a dream space, wondering why people pay no attention to them, realising that ‘logically’, they mustn’t exist, because Western culture has no place for them.

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….They do to cinema what Ionesco did to literature, cut it into shreds.

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The whole thing plays like parody Godard, with Marie II as Anna Karina, with meaningful conversations about love accompanied by the girls cutting up sausages and bananas: the butterfly sequence is a wicked lampoon of ‘Vivre sa Vie’. Where Godard’s heroines remained fixed and stared at, the two Maries laugh, look, escape, see their frame and break it, insist on their body as something more than an object, something they can play with themselves.

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Not even the heroines’ liberating subversivess is fixed - their mindless appetite is punished as often as their formal iconoclasm is celebrated. But for all its theoretical rigour, ‘Daisies’ never sacrifices its sense of humour - I first saw it when I was ten, and loved it for its slapstick fun, its narrative unpredictability, its playful soundtrack, and its tireless visual invention. I still love it now.

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First you think “what the hell?” and then you think “YEAH!!”, 28 May 2003
Author: spazmodeus from United States

This is really worth seeing. It’s hard to explain why. There is no plot. There is no character development. There is a lot of beautiful surrealism. Like with anything from Dada and related art, the full effect only hits you after you stop asking “Why?” and “Whaa?” and “What the hell?”. When you past that point, you’ll have a great time.

The charming nihilism captured in the movie is something that we couldn’t duplicate nowadays, even if we tried.

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Comparisons:
Daisies is some of the most fun you’ll ever have with an experimental film, but very hard to compare to anything else.  In my mind I often think of this movie to a female version of something like Herzog’s “Even Dwarfs Started Small” or (another film I shall not mention), possibly because of all the random destruction and nihilistic symbolism.  Daisies is much much lighter and playful.  More visually experimental but much less mean spirited.  That comparison is the best I can do.

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The most modern directly influenced film I’ve seen from “Daisies” would be Lisa Duva’s “Cat Scratch Fever” that was screened at The Salt Lake City Film Festival last year :)  Which is well worth your while should you ever happen across it.

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Yes, Daisies is one of the most overly hipter art films you’ll ever see.  It’s easy to obsess over visually.  But it’s the real thing and a classic staple of avant garde mod cinema. Daisies is also ageless and feels like it could’ve been made yesterday, especially during the fervor of 1990’s MTV media.

SEE IT!

We own the early Facets DVD, but Daisies is now also recently available in the expensive Criterion Czech New Wave box set.  I have not seen the new re-issue to be able to compare.

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To me “Daisies” is required viewing, especially for those interested in film making.  If you haven’t seen it yet, do yourself a favor and come this Thursday :)

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Bonus Short Films:

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Diagram Film by Paul Glabicki
(1978  - 13 Mins/Animated/Not Rated)

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Destino by Salvador Dali and Walt Disney (2003 - 7 Mins/Rated PG)

I always drooled as a child over the idea of the discarded collaboration of Salvador Dali and Disney Studios.  Why did it take me till last week to find out that someone had completed it???  Did I know about this and then forget?  It’s pretty great but would’ve been even more awesome without the CGI mixed in and more amazing had it been all hand drawn back in the day, the way it was intended.

I’ll take it as is. Still pretty amazing.

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Time: Thursday March 14th @ 7:30 PM

Place: Art City Mansion in Springville (message me if you don’t know the address)

Parking: Free and lots of it

New friends always welcome :)

See you there,

BC Sterrett

More posters, covers and art from this week’s film:

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ISMN: “Children of the Stars” (2012) with special guest Randin Graves - Thursday March 7th @ 7:30 PM

Special announcement: There will be a Q&A with after this week’s film with local soundtrack composer Randin Graves who created the original soundtrack for “Children of the Stars.”

This week’s feature:

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DVDR/78 Mins/Unrated

Our favorite documentary of 2012 comes to ISMN!

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I was extremely lucky and honored to be part of the amazing world premiere of this film at the Salt Lake City Film Festival.

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I don’t know why this film didn’t do more touring or receive more publicity, because it definitely deserves it.  To my knowledge this only played at one other festival before directly going to DVDR online.  My fear is that it will also quickly fall into obscurity if more people don’t talk about it.

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There are hardly any screen shots of this film online so I took these from the trailer on youtube.  And except for the following explanation, this film has NO reviews yet on IMDB:

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“Using rare archival footage and interviews, Children of the Stars chronicles a UFO contactee group as they relive their past lives on other planets by making their own science fiction films.” - IMDB

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This is a film about the Unarius religion in California that believes that Science Fiction is real, and is truly a recollection of people’s memories of previous lives on other planets.

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You may wonder why this film is included in my experimental and art film line up:

1. I just want people to know about this film as soon as possible.

2. One of the main goals of this new alphabet is to share items that challenge the ideas of what film is and what it can be. 

This documentary does just that.

Possibly the most fascinating aspect of the Unarius religion is that these people made their OWN sci-fi films!  Not necessarily as entertainment, but as a form of therapy and religious ritual.

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They believe that creating these films, often without script, were a method of re-living and re-enacting these previous lives in space and on other planets.

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Sadly it seems that no clean master prints of these films are available.  Only multi-generation VHS tapes dubs passed down by the Unarian members.

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The Unarians also await the arrival of people from space whom they predict will come and help this planet, and they hold celebrations, parades and ritual in preparation for such.

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I don’t profess to know all about this religion, but I find it absolutely fascinating.

My favorite thing about this film is that it is very respectful.  It wasn’t made to make these people look crazy, or to dissect their faith, or to find fault or even contradiction.  It seems to have been made to let these people have their own voice and tell their own story.

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As an active member of the LDS (aka Mormon) faith that is under constant ridicule and attack for believing in the restoration of the Church of Jesus Christ, as it was originally structured and practiced before people changed it, I find this angle to be very refreshing.

I find that by letting active members and leaders of a faith tell their own story and why they believe what they believe, is often very different than the info given to the public by reporters, anti religious types, anti-members, and skeptics who are only out to disprove, seek fault or controversy.  I think you also find greater respect and understanding of your fellow human beings, by just hearing them out.

So, strange, exotic, and ridiculous as people’s faith might seem to you, it’s nice to let people explain themselves without the fear of instant bashing.  

Although there might be slight humor intended by the director and editor of this film, I find this documentary to be very kind to the Unarians and is more informative about the existence of these people rather than trying to give you a pro/con agenda in order to stir debate.

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A couple reviews from Amazon.com where this film can now be purchased: http://www.amazon.com/Children-Stars-Bill-Perrine/dp/B009AHNPL0

5.0 out of 5 stars
Far out! September 22, 2012

Format:Amazon Instant Video
Children of the Stars is a must see for those who want to get an insight of the history and beliefs of the Unarius intellect. The film maker did a fantastic job interpreting both current and historic footage in his film. Here, you’ll discover great coverage with spectacular and informative interviews. Enjoy!

5.0 out of 5 stars wow September 21, 2012
Format:Amazon Instant Video
This is a funny and surprisingly touching little film about some endearingly eccentric people and the sci-fi films that may or may not have warped their minds. How do I get a ride in the Space Caddy?
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Bonus short “Vegetable” themed experimental films:

“Celery Stalks at Midnight” (1951) directed by John Whitney Sr.

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DVD/ 3 Mins/ Unrated

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Carrots and Peas” (1969) - Directed by Hollis Frampton

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Criterion DVD/ 5 Minutes/ Unrated

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Time: Thursday March 7th @ 7:30 PM

Place: Art City Mansion in Springville (message me if you need an exact address.)

Free as always with lots of parking.  Friends and newbies welcome :)

See you there!

BC Sterrett

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PS. Those who show will receive a free MP3 link to this film’s excellent soundtrack which was composed by local Utah soundtrack artist “Randin Graves” - (including some of the altered Star Wars and Star Trek sound-a-like segments + bonus tracks!)

Fan made trailer for “Blood of the Poet” with a new soundtrack.

Secret Bonus ISMN: “The Blood of a Poet” (1932) - Thursday 7:30 PM @ Art City Mansion

Well, turns out I’m not going to be in LA this weekend after all.  I feel like watching more avant garde films.  Since “C” week was re-scheduled due to my trip, I’ll be showing the runner up film for letter “B”.  (“Book of Days” was just more rare.)

Ladies and Gentlemen, a secret bonus ISMN for those who are still around this week:

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The Blood of the Poet” (1932)
Directed by Jean Cocteau
DVD/Black and White/55 Mins/Unrated - But is apparently Rated PG in another country according to a VHS case below. (Personally I would give it a PG-13 for violence and a very odd cartoonish sexual innuendo.)

When talking about surreal film making, it doesn’t get much more artsy fartsy than this.  Many consider this a huge stepping stone for Avant Garde film history, I feel that it’s definitely one of the notable landmarks.

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Made only 3 years after Bunuel’s “Un Chien Andalou”, all that’s basically missing is a razor slitting an eyeball.  I find “Poet” to be slightly more linear and cohesive but not by much.

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This film tries about every weird camera trick known to man, and recalls the special effect works of Georges Melies.  Mostly it seems to be a showcase of Cocteau’s imagination and film effect capability.

Regardless of the ego behind it.  It’s a fascinating and unusual fantasy like a more adult and nightmarish Lewis Carroll dream world, with hardly any dialog.

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IMDB Summary:

A young artist draws a face at a canvas on his easel. Suddenly the mouth on the drawing comes into life and starts talking. The artist tries to wipe it away with his hand, but when he looks into the hand he finds the living mouth on his palm. He tries to wipe it off on the mouth of an unfinished statue of a young woman. The statue comes into life and tells him that the only way out of the studio is through the looking glass.

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The artist jumps into the mirror and comes to the Hotel of Dramatic Lunacies. He peeps through the keyholes of a series of hotel rooms. In the last room he sees desperate meetings of hermaphrodites. One of them has a signboard saying “Mortal danger”.

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Back in the studio the artist crushes the statue with a sledgehammer. Because of this he himself becomes a statue, located at the side of a square. Some schoolboys start a snowball fight around the statue. One of the boys is killed by a snowball.

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A fashionable couple start playing cards at a table beside the corpse. The woman tells the man that unless he holds the ace of hearts he is doomed. The man takes the ace of hearts from the dead boy. The child’s guardian, a black angel, appears and takes away the corpse as well as the card. Losing the ace of hearts the man shoots himself.

(I have removed the end of this summary as to not give away the end. - H.R.)

Written by Maths Jesperson {maths.jesperson1@comhem.se}

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A couple favorite IMDB reviews:

Celluloid Surrealism, 10 August 2001
Author: Schlockmeister from Midnight Movie Land

Excellent example of early surrealism on film. It is like going through a dream in which images come and go unbidden and with little apparent sense. This film is to be viewed in exactly that spirit. Switch off the need within you to make sense of it, to make it fit a linear state of mind and you will get the most out of it, and be a lot closer to what the director intended. Let the images wash over you, respond to them as images, not as tidy stories with beginnings, middles and endings that we are used to seeing in films. Like a dream it has it’s haunting, almost familiar parts that we can know and recognize as well as the parts of our unconscious that we do not see as clearly but still we dream of them. Too bad surrealism in film never took off more than it did. Here we see a hint of the possibilities that still lie before us. Recommended highly.

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One of the greatest surrealist films ever made, but prior knowledge of the movement is recommended going in, 6 March 2007
8/10
Author: TimothyFarrell from Worcester, MA

This is an art film, plain and simple. Its one of those surrealist films that has no actual narrative, just a series of seemingly unconnected bizarre sequences. How much you enjoy “Blood of a Poet” depends on how much you appreciate (or have knowledge of) surrealism. Personally, I’m a big fan of the original movement and “Blood of a Poet” is nearly as compelling as either “Un chien andalou” or “Dreams That May Come True”. Its beautiful, lyrical, and highly emotional and personal (if completely abstract). Its as close as cinema can get to actual poetry. Jean Cocteau has created a truly magnificent piece of work.

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This is similar to many other surrealist films in that fact you’re not supposed to get it. You’re supposed to understand the emotion the artist puts into his work and the meaning (if there is any) is entirely open to interpretation. Similar to “El Topo” and “Eraserhead”, the meaning isn’t clear but the feeling completely comes through. Unlike those two previously mentioned films, “Blood of a Poet” is a decidedly more lighthearted work despite some (rather shocking for the time) violence. If you’re into surrealism, by all means check out “Blood of a Poet”. I certainly enjoyed it, but I couldn’t wholeheartedly recommend it to most moviegoers. (8/10)

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Various versions of the film’s release:

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My personal favorite VHS cover below:

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PS. The Blood of the Poet is part of Cocteau’s “Orpheus Trilogy”.  This film is my second favorite.  The first being “Orpheus” - which we have already shown.

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Personally, I don’t like the final film “Testament.”  It’s just way too self absorbed in the director’s ego for my taste, so I will probably never show it.  But the three films are available in an expensive package together from Criterion.

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Bonus short films:

“B” is for “Brakhage” and the titles of these shorts.

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Burial Path (1978)
Directed by Stan Brakhage
DVD/8 Mins/Color/Silent/Not Rated

“A film by Stan Brakhage about the forgetfulness and death.
The opening image of a dead bird in a box and later images of a snowy path suggest that this film was occasioned by the burial of a bird.
Some flows of jarred motifs bank up in elliptical transformations in fleeting, ephemeral, unpredictable imagery.” - Online review

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Black Ice (1994)
DVD/3 Min/Color/Not Rated
Directed by Stan Brakhage

“A lateral descent through the midnight blues and blacks of ice and the refracted colors from absorbed oils.” - IMDB

An absolutely memorizing later piece by Brakhage that makes you fell like you’re falling into the screen. - H.R. Swelch


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Time: Thursday Feb. 21st @ 7:30 PM

Place: The Art City Mansion 300 S by the train tracks in Springville.

Lots of parking!  Free as always.  Friends and visitors welcome.

See you there,

H.R. Swelch

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        PPS> See you this Tuesday @ Brewvies for “The Golden Bat”!

ISMN: “Book of Days” (1988) Thursday Feb. 14th, 7 PM @ The Art City Mansion

By special request, this event has been moved to Thursday.  Don’t have a Valentine’s date?  We don’t either.  Let’s watch some film!

This week’s film:

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Book of Days (1988 - Directed by Meredith Monk)
VHS/Black & White and Color/English/75 Mins/Not Rated

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(Above: I want to try and get into the habit of showing our actual items from the archive.  The fact that we have these tapes in the archive is the doing of Tyrone Davies.  The first copy on top is the early TV edit he obtained from a teacher and the second tape is the complete version which he received from the film’s actual distributor.)
image I have a strange fascination with the way people used to label VHS tapes and cassettes in order to make them personalized.  Another obsolete part of old media.  I like Tyrone’s home made art on these:
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I was in fact introduced to the music of Meredith Monk by Tyrone.  We had been LDS missionary companions together in Taiwan, and found that we both shared the same obsessions with unusual and experimental music, art, performance and film.  Upon our returns to the states, he visited me in Utah handing me a mix-tape. Included were works by the likes of Harry Partch, John Cale, Captain Beefheart and a track by Meredith Monk called “Travelers 1,2,3” from the Book of Days Soundtrack.  I could only describe it at the time as instrumental music with the human voice.  No lyrics, just odd calm vocal sounds as if strangely hummed out of her nose.  It became one of my favorite tracks of the cassette that I never forgot.

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Many years later, Tyrone obtained a poor quality TV dub copy of the film from a film teacher.  Due to his love with this movie, he obtained the official copy direct from the distributor and then toured with the film in his traveling Free Form Film Festival - complete with live performance art by local sound poet Alex Caldiero.
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(Above: Utah’s own beat and sound poet madman Alex Caldiero.  aka The dad from Trent Harris’ - “Plan 10 From Outer Space.”  He also played my other dimensional father in a feature film Tyrone and I made together, but that’s another story.)

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(Above: One of the opening shots of “Book of Days”)

I think Tryrone and I had a preview of the complete film together before he took it to the big screen in SLC and I for one was in love, both with this film and make growing appreciation for the art and music of Monk.  This has been one of my favorite films since.

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Sorry, I feel like I’m on a nostalgic tangent that nobody really cares about.  These are just fond memories ok???

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“Get on with the review Mr. Swelch.”  Ok ok, Betsy Ross.  This film is a little hard to explain, and would seem to be the source for many a thesis paper on experimental film if people only knew about it.  There are no reviews of this on IMDB.
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Luckily for IMDB, “nickvans-2” posted the following on the message board:

“Because IMBD is sorely lacking any information on this film, and I’m sure anybody who comes here is wondering what the heck this movie is about, I’ve decided to shed some light on this a little bit.

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Here is the summary (written by Monk) that is included with the vinyl release of the soundtrack:

‘Book of Days’ is not a conventional narrative but, in the tradition of my earlier films and musical theater pieces, is a kind of tapestry which weaves together narrative strands, music, images, movement and text.
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The film travels back and forth between the Middle Ages and the present (the “historical” sections are in black and white; the present is in color). The main character is Eva, a young Jewish girl living in the 15th century who has bewildering (to her) visions of contemporary life (planes, cars, people in hospitals, a New York street etc.). These visions and her drawings of them become the bridge between the two periods.

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Early in the film, after the explosion of a modern wall uncovers a medieval village, we are introduced to daily life in the Middle Ages. Characters from both the Christian and Jewish communities as well as “outsider” such as a madwoman, a wandering monk and a traveling Jewish storyteller, are interview by an unseen modern voice as if the Middle Ages were being documented by a contemporary television crew.

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When the young girl tries to describe her visions to her grandfather, he gives them a Biblical interpretation.

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Misunderstood by her family and community, the young girl finds in the madwoman a kindred spirit whose overview of the flow of time and compassion or human suffering, ignorance and violence in relation to the power of nature, give Eva a sense of comfort and understanding of her own clairvoyance.

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(Above: The Mad Woman played by Monk herself.)

Towards the end of the film, the village is overtaken by the plague…” -IMDB

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I decided to cut the above summary short as to not give away the end of this beautiful film ;) - BC

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The 74-minute version was shown at the New York Film Festival in 1989 - you can read a review here:

http://query.nytimes.com/gst/fullpage.html?res=950DE6DB1431F932A35753C1A96F948260

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(Above: An excellent use of found footage in “Book of Days”)

It was then cut down to 55 minutes and shown on PBS as part of their “Alive From Off Center” series.

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The only ways to see this film, according to Meredith Monk’s website (www.meredithmonk.org) are either booking the 35mm print (74 minutes), or ordering a VHS copy of the 55-minute version from Insight Media (www.insight-media.com) for $150.

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I love this film very much. There really is nothing like it.  People often make art with the juxtaposition of objects. Monk creates films that juxtapose past and present, the primitive and technology, color and black & white, alive within the same plain of existence and space without explanation.  She also combines beauty and very serious subject matter with moments of the absurd. (Some of this fascination of weaving the past with the present was hinted at in Monk’s previous film “Ellis Island.”)

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Even though our lead actress in having incoherent visions of the future, it’s as if people from the future (in this case the 80’s) have been living among her people all a long.  Or perhaps are there for a visit.

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Monk leaves many things open for interpretation.

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I’ve never shown this film before as part of the Lost Media film series.  I suppose I felt in the early years that the ISMN crowd wasn’t ready for something of this nature.  But the time is now!

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Book of Days is very poetic, absurdest, experimental, and quite beautiful.  I look very much to seeing it again with you this Wednesday :)image

In a recent phone call, new genre film maker Tyrone Davies said: “Book of Days” is as good as any avant garde experimental film you’ve ever seen.  It’s a shame they don’t talk about her in text books.”

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A short message to Meredith:  I’ve seen you perform live on stage twice and once met you backstage, a little too star struck to speak and only telling you that I was a cartoonist.  I know you are now in your 70’s but I still have a huge crush on you.

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Bonus Short Film:  “Ballet mécanique” (1924)
DVD/18 Mins/Silent with Music/Not Rated

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For those who come early at 7 PM ;)

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Place: The Art City Mansion (aka my house) in Springville.
Time: Thursday Feb. 14th @ 7 PM for the Short - 7:25 PM for the Feature
Price: Free!
Parking: Plenty

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Friends, food and newbies welcome always.  Hope to see some of you out :)

-Haircut Swelch

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PS. “Book of Days” has now finally been released on DVD and is available directly from Meredith Monk’s website:
http://www.meredithmonk.org/

Alphaville’s Anna Karina in the Serge Gainsbourg musical “Anna” (1967)  - My favorite song segment from this film starts @ 2:33.

“Sous le Soleil Exactement”

ISMN: “Miss Velma’s Christmas in America” (circa 1983) - Tuesday Dec. 18th @ 10 PM

This post is being written after the event.  I’ve been traveling and away from the internet for a time.

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Around 2002/2003 “Miss Velma’s Christmas in America” was one of the most DIY outsider productions I had ever seen.  Discovered by my friend Sueanne Zollinger (of the Scissor Girls) at Indiana’s “Plan 9 Video”, randomly tagged onto the end of a “5 Minutes to Live” DVD about the dangers of rock and roll. (Remember the “5 Minutes” website that supposedly never delivered it’s products?)

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 As a collector of outsider media and bizarre Christmas material, I had to know more.  All we could find was this website with a picture of her and her husband under some flames and that she was a co-founder of the “The Universal World Church” which had claimed to have discovered the secret to eternal youth.
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 …and that her reverand husband O.L. Jaggers had written a book about UFOs in 1952 called “Flying Saucers” after seeing one on a camping trip.

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                                                (This is infact the cover above.) 

What was even more fascinating was Dr. Jaggers illustration of how he envisioned his church:

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ANYWAY, we set out to find a better copy than the stacticy incomplete and fuzzy “5 Mins” version.  I think first SueAnne wrote to their web address and later I did as well.  (I didnt lie in my emails) but I first I wrote with my genderless name as if I were possibly a nice old woman who had once seen the Christmas special on TV and would like to see it again.

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(Above: “Miss Velma” Space Availabl)

Finally during one year of requesting I received a response, and in the mail I received a much more “normal” Christmas special featuring members of her congregation but NO MISS VELMA.  This was extremely nice of them, and I felt rather sheepish for having them go through the effort to send me something else that they thought I was asking for and backed down for another few years.

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After including segments of Christmas in America during our Christmas Torture collage presentation in Salt Lake City @ Brewvies Dec. 2011, it renewed my determination to request a better copy.

…. to be continued.

ISMN Christmas Event No. 1: “The White Reindeer” (1952) -Tonight Dec. 13th 7 PM @ Hot Dog King in Orem

                     

We decided “Wolf Devil Woman” was too gory to show at a restaurant so we finally decided on an alternate Winter/Christmas Horror film for tonight’s event:

Possible the only VAMPIRE REINDEER movie that you’ll ever witness.  It’s Finland’s 1952 “The White Reindeer” aka “Valkoinen peura.”

                          

I just previewed this film again last night and it’s absolutely exotic and gorgeous!  My thanks to cartoonist Steve Bissette for bringing this film to my attention a year or so back.

       

The perfect solution for those tired of being bombarded by the hackneyed Santa and Rudolf entourage.

                   

The following synopsis comes from the Northwest Chicago Film Society:

When her deadbeat Lapland Shepard husband takes off and leaves her hungry and heartbroken, Mirjami Kuosmanen (director Erik Blomberg’s real world wife) seeks the help of a local shaman who turns her into a white reindeer vampire. Adapted from a Finnish folk tale, the film is beautifully shot against staggering Finnish snowscapes and herds of reindeer who don’t have marital problems. The Finnish entry at the 1953 Cannes Film Festival, Valkoinen peura won the award for Best Fairy Tale Film with Jean Cocteau as the president of the mostly French jury, and made its way to the US as The White Reindeer in 1957 as a limited release.

               

IMDB Review:

Great, atmospheric film, 30 March 2010
8/10
Author: Zombie_CPA from United States

Obscure Finnish horror movie about a woman who goes to a sorcerer to get help in her love life. She gets the help, but the side effect is that she turns into a vampire reindeer at night. It is kind of like watching a werewolf film.

       

The movie is both excellent and interesting because I got to see a culture that I hadn’t seen on film before. It was a village of reindeer herders in Northern Europe. What other movie can you see with a reindeer race? Anyway, I thought Mirjami Kuosmanen as the woman with the taste for blood. The movie has very few words but a continuous score in the background. It is almost like watching a silent film. I found the cinematography very interesting in this film. Overall, I get it an 8/10 and recommend that you see it ifyou can find it.

      

Absolutely beautiful and well crafted, something that you that will create strange fond memories for a long time to come!

               

….. or it will cause you to create tribute art like this (actually inspired by this film!)

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Bonus Short Film: Some weird Christmas thingy - TBA

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Time: Dec. 13th 7 PM
Location: Hot Dog King, State Street in Orem (Next to Sam’s Army Surplus)
Price: Free (Buying dinner is optional)

Good midnight to ya,

BC Sterrett

                  

                                

                                   

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PS. Don’t forget our screening of the world’s weirdest Christmas pageant (The Complete) “Miss Velma’s Christmas in America” coming to Brewvies Dec. 18th @ 9:50 PM!

                                          

Review coming soon!

Love,

Christmas Kilink

                                                   

ISMN: “The Time Machine” (1960) - Thursday 7:30 PM @ The Art City Mansion

       

Doing anything tomorrow night?  I for one will be watching the George Pal version of H.G. Wells’ “Time Machine” (1960)

VHS/103 MIns/Color/Not Rated

     

It may be because I grew up watching this film, but I consider this one of the great classic sci-fi films of all time!!!

                                      
I also claim this as George Pal’s greatest film accomplishment.  Fantastic casting, fantastic acting, great storytelling and spectacular special effects that charm me more than any cheap 3D computer graphic.

                                      
      
                      I also love this way better than the more recent remake.
      
Not to mention, this version also has the young Yvette Mimieux, whom I could watch any time …
       
                                           or look at pictures of all day…
                                     
I remember thinking as a prepubescent that she was one of the most gorgeous women I had ever seen.

     
                                 

                    You may also know her as the voice on the “Flowers of Evil” LP:

                   

If you’ve ever wanted to hear her give monologues over sitar music, here’s a sample from this album (skip to 3:40 for her dialog on this one): http://www.dinosaurgardens.com/wp-content/uploads/2009/06/05-lethe.mp3

      

Anyway, this film shouldn’t need any introduction.  I’m guessing most of you are familiar with the H.G. Wells tale, and overall this film is pretty true to the book if I remember correctly.  However, here are a few favorite fan review excerpts from IMDB:

It fired the imagination of a 10 year old boy for a lifetime

3 July 2006 | by (andy.cippico@gmail.com) (United Kingdom)

…You don’t need CGI to make a good film. It’s all about the story and the ingenuity of having to make do with the things you’ve got (on) hand. This film exemplifies that attitude.

I first saw The Time Machine as a 10 year old in 1970 and was utterly captivated. The stop-motion photography was spell-binding to me; particularly when George kills one of the attacking Morlocks. The gory footage of the body decomposing will abide with me forever. More importantly, and for the first time in my life, I was completely swept away with the concept of time travel. This film was unlike anything I had ever seen before and sowed seeds of profound thought for many years after.

This film may not be for everyone, but it was for a certain 10 year-old boy all those years ago. How I wish I could go back and recapture those moments…

                 
(Editor’s comment: I fully agree with the review above, the decomposing Morlock is one of the best death scenes in cinematic history and will always remain embedded in my brain from my childhood.)

                   

        Great film, very well done., 31 July 2002
9/10
Author: LebowskiT1000 from Escondido, California, USA
I recently saw the 2002 film “The Time Machine” and liked it a great deal, so I thought that it was probably in my best interest to see the 1960 version of “The Time Machine”. So, I went ahead and rented it and watched it. I knew that this film was made in 1960, so I wasn’t expecting anything spectacular, but I still hoped that it would be good. I must say that I was REALLY impressed with the film! I thought it was great!

The story is brilliantly told, smartly done, and quite interesting. I noticed a great deal of similarities (and differences) between this film and the 2002 version. There was virtually nothing I didn’t like about the film, as far as story goes. I’m really interested in reading the H.G. Wells story now, so hopefully in the near future I’ll bust out my copy and read it.

I thought the actors in the film did a fantastic job as well! Sadly, I’d never even heard of any of the actors in the film. I thought Rod Taylor, Alan Young and Yvette Mimieux all did a great job. The rest of the cast was good, but these three really struck me as great. Also, I have to say that Yvette is one beautiful woman!

The special effects in this film were surprisingly good, especially for a movie made in 1960! I must admit that I was really impressed with the sets and the special effects in the film.

      

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Bonus Short Film:

“Over Night” (Year Unknown)

DVDR/Unrated

This film chronicles camp counselor training for 11 year-old girls. The narrator sounds like he’s clearly trying to subvert his dialogue in a cheeky fashion: “When I was a boy, I used to go into the woods with a sack of potatoes and eat roasted potatoes. If my son did that today, he would probably be called a juvenile delinquent!”

- Something Weird Video

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TIME: Thursday Nov. 8th @ 7:30 PM

PLACE: The Art City Mansion (Springville)

FREE!!!

Friends and treats welcome :)

See you there -

H.R. Swelch

                                   

                              
      


Fisch Loops performing with The Lost Media Archive 9/10/12 @ Urban Lounge.

Fisch Loops = Daniel Fischer
Super 8 Projecting = Will McAlister
Film Strips = BC Sterrett

Lost Media Archive’s Halloween Grindhouse 2012 @ Pioneer Book Tues Oct. 23rd - Oct. 25th

Starting Tuesday Oct 23 @ 10: 30 AM, Lost Media Archive will be projecting this year’s Halloween Grindhouse @ Pioneer Book. (Random films from the Archive - some revisits others new). Films all day long (and some nights)! First off at 10:30 AM it’s Harry Smith’s “Heaven and Earth Magic”.

* means it’s the first time LMA has publicly screened this film

     

Tuesday Oct. 23rd
10:30 AM “Heaven and Hell Magic” (1962 - 66 Mins)
11:40 AM “Super Xuxa vs Satan” (1988 - 86 Mins)
1:10 PM “Mad Monster Party?” (1967 – 94 Mins)
2:45 PM “The Giant Claw” (1957 – 75 Mins)*
4:00 PM “Frankenstein” (1984 Toei Animated Version – 90 Mins)*
5:30 PM “Dr. Terror’s House of Horrors” (1965 - 98 Mins)*

         

 

Wednesday Oct. 24th
12:00 - The Monsters Crash the Pajama Party (1965 – 31 Mins)
12:30 - 13 Ghosts (In Illusion-O, Ghost Viewers provided! 1960 – 85 Mins)
1:50 - Little Red Riding Hood and the Monsters (1962 – 82 Mins)*
3:15 - Child of Glass (1978 – 93 Mins)*
4:50 - I Married a Monster From Outer Space (1958 – 78 Mins)*
6:20 - Tales From the Dark Side: Trick or Treat (1983 – 20 Mins)

Then later tonight …

                                      

Looks like we’re going to have a secret film for the “older kids” after hours @ 7:00 PM. The feature will be “Ragewar” aka “The Dungeon Master” (1984).  This film is also an official ISMN selection for 2012.  If you only come to one film at the bookstore, make it “Dungeon Master”!

http://www.imdb.com/title/tt0089060/


  

                         
 

Thursday Oct. 25th:
12:00 - Sorcerer’s Apprentice (1980 – 21 Mins.)

12:25 - Night on the Galactic Railroad (1985 - 113 Mins.)

2:15 - Three Headed Monster (1988 – 85 Mins.)

3:40 - Bunnicula (1984 – 23 Mins.)

4:00 - Of Oz the Wizard (The world’s only alphabetized film! 101 Mins)

5:40 - Badi aka The Turkish E.T. (1983)